Not performing reduction is a form of reduction. [13.07.2014]
Deleuze and Turing self-test
Reading Deleuze's Difference and Repetition. As they would say in information
technologies, his texts are write-only. Essentially, you produce this kind of
texts, when you already are thinking as Deleuze. Reading his books is a Turing
self-test: if I understand it, I am Deleuze of sorts. The trumpet produces
trumpet sounds. Deleuze produces Deleuze texts. Deleuze is a production machine
of texts that were not meant to be read. They were not written to be understood,
but forensics to be performed on them in attempt to reconstruct the operation of
(Strangely, we often call a machine something that produces output that is not
connected to its internal workings in some intentional and tractable way. The
bird shit is linked to its digestion. The human speach has communicative or
emotional component. I don't know much about him, but possibly Deleuze wanted
to be perceived or self-identified as a machine, partly due to his and Guattari's
neo-modernist ideas and partly due to his life-long debilitating illness.)
Once you keep in mind what he means, it all makes perfect, lucid, and highly
pragmatic sense. Then, two pages later you lose traction again and keep skidding
on the next few. You may say it's because the man is above your grade. But then
- sometimes - he gives examples. Examples are there to make things more clear,
if less theoretical. However, say, the illustrative or argumentative force of
most of his abundant examples from mathematics is lost, because the basic
mathematical facts are obfuscated with convoluted tortured words.
As Wittgenstein said: what can be said at all, can be said clearly. But Deleuze
did not like Wittgenstein. Wittgenstein did not mind. He was dead by then. [22.08.2015]
Artificial intelligence singularity will be achieved unnoticed. It will not be
passing Turing test. It will be Wittgenstein's lion: Wenn ein Loewe sprechen koennte,
wir koennten ihn nicht verstehen. We would not even understand that he is speaking.
A little discovery: I was sorting editing photos today, while listening to a comedy show.
It was nice and comfortable, until I moved from editing to making a selection of a series
of photos. At this point, I could not follow the show anymore and found it very distracting.
It should mean that photo editing, which is visual and motoric, is addressed by the
attention system different from the one required for selection and sequencing. It was
unexpected, since the selection process seems visual as well: I did not try to conceptualize
the series, but even then, the process of choosing and sequencing seemed to be handled by
a different attention system.
Moving through a sequence of photographs represents an experience different from just pure
visuality. There is a semiotic component in images even when we do not realise it, but producing
effect on us even on the physiological level.
abstraction as value judgement: what is important and what is not → what does and what does not
get forgotten or ignored | reaction: back to things as they are → endless subjectless/objectless
sensitivity → things are unspeakable → forgetfullness of language
non-objective instead of objectless - either abstracted or sensed: not fogetting other aspects, nor
discarding concepts, but just not speaking about them at the moment
Suppose, Chomsky says: only the language of the individual whose mind can
generate utterances (I-Language) is worth studying in linuguistics. Because
here is the mind and here is the language it produces. No mind - no
language. With the tacit assumption that somehow there are minds and they
directly produce language with nothing in between. Because we can depart
from the principle of isolation: you need only mind (physiologically wired
with language-learning capability) to speak a language. And (I suppose) since
we have privileged access to our minds, we can immediately observe that
words and phrases are produced right in our minds. However, this immediacy
proves no more than saying: I see a tree therefore there is nothing between
me and the tree. Rather there is nothing between me and the tree that would
prevent me from seeing it or between me and the orchestra that prevents me
from hearing it. However, today we know that there should be something between
me and the orchestra: the air, which I don't see or hear, but without which I
would not hear anything. The perceived immediate connection between mind and speech
is meaningless in the causal sense. The gap between them can be "material"
or semiotic: an extra medium between mind and speech (e.g. of social nature) can
transcend confines of an individual as well as the isolation not necessarily
guarantees the adequate semiotic level: brain as a collection of cells or
of atoms seems to be necessary and sufficient for speech, but it leaves too
big a causality gap that would prevent a meaningful linguistic inquiry. [26.07.2014]
Suppose (as one book suggests) that in Wittgenstein's builder language game
the helper does not understand the builder's language. Moreover, the builder's
language sounds garbled to him. All what the helper has learned is that when the
builder says something that sounds like a command, he better bring something:
a block or a slab.
The builder shouts 'slab', but the helper may bring a block instead.
Sometimes the helper brings a slab, but when the builder shows signs
of encouragement to the helper, the latter cannot connect it to the word,
since everything sounds muffled to him. Even saying 'slab' while pointing to
a slab, or saying 'block' while pointing at one does not work, because the
helper cannot hear the actual words, just the imperative intonation.
After a while, the builder gives up and changes the game: he shouts 'slab'
and if the helper brings a block instead, he keeps shouting 'slab' until
the helper, randomly, brings a slab. [08.04.2018]
sacred space → personal space → space at hand
(two attention systems) → meaningful|operational space → semiotic space
personal space → enclosure → autopoesis → protection of purity →
orality → personality outside language
enclosure → content → closed system → production of causality →
production of logic
sacred space is not enclosure, it's possible for personal space to become sacred
enclosure → oku → empty inside → no inside → penetrable border
→ border control
sacred space cannot be empty, but cannot be defined by [describing of] its content or
its synthesis - nor can it be constited as a receiving space that make its content
possible, since the latter is another form of definition through content
practising practice → practice starting with learning/theatre/game/artifice/fiction
→ knowledge (as some sort of truth) starts in fiction ← Derrida vs Searle's
hierarchy of seriousness and subordinate fiction defined by it
Searle's Chinese Room argument and all arguments of that kind are heavily based
on the notion of sameness, which is seen (hidden) as a trivial pre-requisite.
"[L]et J be Jones's Twin in a Twin-Earth scenario" (Chomsky). In each of those
thought experiments, the sameness can be assessed only by the observer that does
not know upfront that he deals with a changeling.
Thus such experiments assume, without explicitly articulating, features of observer
allowing him/her/it to pass the judgement. The observer does not need to be human.
For example, the discriminator part of GAN (Generative Adversarial Networks) is
trained specifically as such an observer.
Economics of frugality since Occam's razor: the settled afraid of accumulating, since they constantly
prepare themselves to become nomadic: refugees accused of being economic migrants and modern
nomadic workforce not differentiated enough from refugees (on purpose).
A poetic metaphor, as long as one can comprehend it at all, can always be deduced post-factum through the
Groupe μ semantic arithmetics through the subtraction and addition of semes. However, it is not a
primary operation in producing metaphors - whenever it is, it leads to standard or dead ones like 'lion'
for a king through the seme of 'courage'.
The metaphor is a derivative and relatively trivial product of the underlying act of establishing a
sememe's composing semes, choosing among them a subset of interest, and then moving through the double
step of two synecdoches to a new word group sharing the seme subset.
This presumes that a word acts as a container of its semes, even its whole content has not been revealed
or even fixed - and it always works post factum, where 'post factum' means that a metaphor is understood.
However, metaphor as something poetic, emergent, and mysterious happens if the word is seen as having no
content, but only relationships and valencies through its usage, which, although limited by the language
possibilities, is not defined (like a dictionary entry), but is open-ended, just like usage of the letters
of alphabet (i.e. 'semantics answers to pragmatics'). Those usage valencies do not get enumerated, but
performed as pragmatic acts and its semes get produced and radiated (although not constructed) in those
acts rather than stored in the content of the word, the latter being virtually non-existent. The king's
courage is in having charged singlemindedly at the enemy with his eyes burning bright and so is the lion's.
It is different from the courage of a jester speaking truth to the king. (And not so are modern leaders who,
despite sometimes possibly being fine humans, never are compared to the lions.) The courage is understood in
the process of its happening.
i have nothing to say
by ignoring it, you are acknowledging it
(modern paradox|engine of private voice)
spectrum without punctum or studium
Reductive thinking chooses for its starting point the world of plenitude. [13.11.2018]